Rolling Stone India:

Oh yeah, right up there next to Slash's elbow, and right on top of Robert's Plant – is it a beanstalk a la Jupiter Cafe?

And here’s the article:

Excerpt: "The theme is corruption. The soundtrack is 'Kickbackistan'. Go make a music video."

Bangalore Times gave us some space. An interview with Bruce went thus:

The Times of India – Kick This

Will your music video win the big prize money? To find out, make it. And then go to www.kickoutcorruption.com and upload it!

The post Kick Out Corruption in the media appeared first on Thermal and a Quarter (TAAQ).

With the usual avalanche of skeletons tumbling out of the cupboards of CWG honchos, and whispers of a new betting scam among the boys next door, it was just another day in the Commonwealth. Or so we thought. Until Mr. A. R. Rahman, one of our most felicitated artists, unveiled the official anthem of the Games.

Hear, hear!

And what’s the official sport? Taekwondo? Har har har! Or Sepak Takraw! Hyuk hyuk hyuk!

No offence intended, really. Please take that sportingly… hehehe!

Here, in the slick, smoky kitchens of Kickbackistan, another kettle of fish has been simmering quietly — and powerfully. The scent trail leads to YouTube, where Thermal And A Quarter has proudly announced the release of the official anthem of Uncommon Wealth: Kickbackistan.

Yours to listen to, yours to sing along to, but not yet yours to download. That we’ve saved for later. Start salting away your funny money to pay up on the big day. Under the table, of course!

And one more thing, this isn’t the OFFICIAL music video. Patience, patience!

Let the games begin! Let the shame begin! Kickbackistan!

Learn up your lines and sing along (swalpa khara okay?). There’s a lot of action to come.

The post Kickbackistan, official anthem of Uncommon Wealth! appeared first on Thermal and a Quarter (TAAQ).

Dear Tehelka,

Thermal And A Quarter is a Bangalore-based rock band with delusions of world domination since 1999. We read Inder Sidhu’s outcry against “the media’s hysterical coverage of Indian rock bands” with familiar feelings of resigned amusement and piquant regret. While Sidhu makes some pleasant noises and points available fingers at the usual suspects, he disappoints us by stating the obvious and therefore fails to offer us any fresh insight into what actually ails the rock scene. What ails the media we already know.

First off, Tehelka could have attempted to address the question: What is uniquely “Indian” about the Indian rock scene? You get really excited about Indian writers in English, so why can’t an electric guitar and English lyrics employed to express Indian themes excite you as much? Is the Indian rock “movement” — as some like to call it — merely about the explosion of rock band competitions and sponsored collegiate rock festivals? Is it only about the so-called mushrooming of venues for Indian rock? Is it about the legitimacy accorded to it by weak-willed Bollywood flicks such as Rock On? Is it more than a West-aping deluge of residual post-adolescent hormones? Or is it merely a vehicle for selling phallic fantasies associated with jeans, bikes, movies, or alcohol?

Why can’t the music scene you obsess about be the product of entrepreneurial activity or the struggle of independent artists to secure a platform for expression in a milieu notorious for the absence of infrastructure or patronage? Is it not also about artistic independence — and what is indie in an Indian context anyway? Is it not about the paucity of industry support for independent music (and just what is this “industry”?)? And why are we in such a hurry to pack it all up in one store shelf labelled ‘rock’ – what about Carnatic blues, or Indian jazz-rock, or Indian prog-rock, or Indian death metal, or Devotional jazz-rock, or Malayalam thrash metal, or Hindi country blues, or Kannada funk?

Which part bothers you the most: that the Indian media is writing about Indian rock music at all, or that it is covering rock without balls or brains? After all, we read your magazine because it tells us what we believe is closest to the truth. But never has it once offered lip service to this movement, apart from getting musicians to applaud their favourite bands at the back of the book. When it comes to the coverage of underground music acts in India Tehelka, too, is part of the “lazy press” you love to deride. Your dispirited coverage reinforces the fact that in this country we have no national newspapers or news-magazines — only parochial ones. When it comes to covering the independent music scene, even Tehelka cannot look beyond Delhi or Mumbai before your vision gets all blurry and your perspective degenerates to homogenising what you attempt to analyse. Isn’t it time you became free, fair and fearless in writing about this too?

Sidhu writes that the “vocabulary and context for rock criticism does not exist in India.” When was the last time you met an editor who condescended to carry a major story about any westernized urban counterculture in India? When was the last time any self-respecting commentator (such as you, we hope) turned away from the clippings morgue and did some legwork to find out what’s really happening in India’s underground music scene?

For instance, how do Indian bands approach songwriting, where do they learn to play their instruments, where do they rehearse? How do they finance gear, studio time and production efforts? What level of initiative does it take for a band to bag concert dates at Hard Rock Cafe or Blue Frog, or plan a five-city tour? Or to cut an album and market it independently?

These realities offer story ideas for any journalist with a serious interest in writing about Indian rock. Perhaps Sidhu might want to consider exploring these areas instead of expending two thousand words on a subject he believes is not worth writing about. That’s laughable. Of course, we are aware these stories can’t be written within a week’s deadline but has any journalist cared to investigate the possibilities, or any editor dared to commission them?

For instance, on February 14 this year Thermal And A Quarter hosted the ‘One Small Love – Bangalore for Mangalore’ concert. Commemorating the first anniversary of the attacks on women in pubs in Mangalore and Bangalore, it brought musicians and speakers together to give voice to issues like freedom of expression and tolerance. About 500 people attended the concert in Bangalore and many more logged in to watch the live webcast. The Facebook page for One Small Love added 1,300 fans in a single week sans any advertising or PR.

The media did not take notice of One Small Love. Why? Because we took a decision not to invite any mediapersons to cover it.

In its weekend magazine supplement, a leading national paper gushed about an “unsponsored” concert in Bangalore by two independent rock bands held on February 13, the previous evening. While we attended that concert and doffed our hats to the bands that pulled it off, we noted dourly that the journalist had not done his homework when he hailed the unsponsored concert as a first-of-its-kind event. Thermal And A Quarter was among the first bands in Bangalore (perhaps in the country) to pull off successful (in terms of attendance and gate collections) self-funded shows dating back to 1999. National Public Radio in the US reported our Floodaid concert of 2005 (a fundraiser for the families affected by the 2004 Asian Tsunami) but no Indian publication bothered to do so. Just because no press releases were issued, does it mean these were not events?

We’d be happier if the media did not write about the “scene”, because clouding these half-cooked reports and analyses with poor reportage, bias and myopia is far worse. As some wise guy once said, “It’s better to shut up and be thought a fool than to open your mouth and remove all doubt.”

Every “music journalist” wants to be the next big commentator on the Indian rock music scene. In 14 years of being around, we’ve seen these megalomaniacs crash and burn and we have outlived them all. On the Indian rock scene, longevity is to die for. As the only band in India to release four studio albums in our career through independent distribution plans, we are not looking for benefactors in the media to make or break our career, thank you.

Frank Zappa said, “Rock journalism is people who can’t write interviewing people who can’t talk for people who can’t read.” We wrote a song about journalists like that – it’s called Paper Puli. And we have an annual award for music journalists who satisfy Zappa’s criteria. It’s called the Paper-Pulitzer. We might consider nominating you.

Love and peace.
TAAQ

Cross-posted on our Facebook page

The post Don't believe everything Tehelka says about Indian rock! appeared first on Thermal and a Quarter (TAAQ).

In a tired-sounding article imaginatively titled ‘Fund-amental gigs‘, an unnamed DC correspondent wrote on Feb 20:

It was in the late 1990s that Thermal and a Quarter organised shows, free of corporate sponsorships. But, after a few such gigs, and without much success, the concept faded away. Almost a decade later, another city act has decided to commit themselves to this cause and is spearheading a ‘movement’, thus inspiring a generation of young musicians.

The other city act is, of course, Lounge Piranha, which pulled off a cracker of a show along with the (now) Bangalore-based Gowri and Hyderabad’s Native Tongue at the Alliance Francaise de Bangalore on February 13. We attended that concert.

We appreciate the indie-mindedness of the journalist’s effort but perhaps the anonymous correspondent might want to get out of his Mighty Strange office and do some real legwork for a change while writing about the bands that don’t circulate press releases of their events. For instance, he/she could have taken a bus (or billed the company for a cab) to Opus in the Creek on Whitefield Road on February 14, the day after the show he/she covered, to watch the One Small Love concert, a completely un-sponsored affair with no gate collections to break even.

And here’s another correction: Our last un-sponsored gig before this was Floodaid, a fundraiser for the families affected by the Asian tsunami featuring Antaragni, at the St John’s auditorium on January 4, 2005, a good six years after the late 1990s. No sponsors, sir/ma’am. Uh-uh.

Heck, just because we issued no press release doesn’t mean it didn’t happen!

Dear correspondent, you have been nominated for the PaperPulitzers 2010 in the Best Armchair Journalist category.

The post A PaperPulitzer for the Deccan Chronicle? appeared first on Thermal and a Quarter (TAAQ).

002

“As part of the festival, we will have musician Jeff Peters performing our songs with us,” reveals Bruce Lee Mani of Thermal and a Quarter.

- Jazz Got to Be there – Kavya Christopher/ DNA-Daily News & Analysis, February 28, 2009
Archived at TopNews.in

<<Enter gushy acceptance speech here>>

Congratulations, dear winner! Whenever you have the time, do drop in at our pad to claim your complimentary pot of Paper Pulissery (which, for the uninitiated, is a buttermilk-based curried dish that goes excellently with Mallu-style fried fish).

And as part of the festivities, we shall offer a series of Java Jazz videos for your viewing pleasure (none of them, regrettably, featuring Jeff Peters on bass!).

Jeff – Hope you’re enjoying a good chuckle!

Thank you for voting, ladies and gentlemen. Here’s to the 2010 awards, as there shall doubtless be plenty of contenders!

The post PaperPulitzer 2009 – And the winner is… appeared first on Thermal and a Quarter (TAAQ).

To vote, go to the poll on the right sidebar!

001

The three musicians have been singing everything from Carnatic to jazz and funk since they formed Thermal and a Quarter in 1996.
Poll Song – Pallavi Jassi/ The Indian Express – March 27, 2009

We sang Carnatic? How flattering! If only Sri Muthuswami Dikshitar had lived to read this.

002

“As part of the festival, we will have musician Jeff Peters performing our songs with us,” reveals Bruce Lee Mani of Thermal and a Quarter.

- Jazz Got to Be there – Kavya Christopher/ DNA-Daily News & Analysis, February 28, 2009
Archived at TopNews.in

Sure, Jeff Peters mixed This Is It, but what a pleasure it would have been to have him perform with us, and that too at Java Jazz. And what a gem to stuff into Bruce Lee Mani’s shocked mouth!

003

- Photo caption – Play That Funky Music, Bangalore Times, The Times of India, Bangalore – April 16, 2009

Yeah, we know Rzhude is hard to spell but this is sheer genius

004

Not exactly a TAAQ mention, but this was for a Dire Straits Tribute gig where Bruce and Rajeev played. It was a Rolling Stone magazine event at the Hard Rock Cafe, Bangalore. But hey, those are very complicated instructions for our friends at the fourth estate. So they simplified them, and this is what we got.

The Hindu Metro Plus, Bangalore, Dec 3, 2009

The Dire Straits Tribute Band will pay a tribute to the Rolling Stones tonight.

- The Hindu Metro Plus, Bangalore, Dec 3, 2009:

DNA – Life after 5 pm – Listings – Dec 3, 2009

Legends come alive with India’s finest musicians, featuring the Dire Straits Tribute Band. Like all other Thursday shows at the Hard Rock Cafe, the show promises to rock. If you are a fan of Rolling Stones, there’s no escaping this.

- DNA Bangalore, December 3, 2009

Make it snappy. Voting closes on Jan 10, 2010!

The post PaperPulitzers 2009 – Vote now! appeared first on Thermal and a Quarter (TAAQ).

Initially, we were taken to gritting our teeth, tearing our hair out, and potty-mouthed cussing. But then we decided that the more cathartic if slightly Gandhigiri-esque way out was to reward these luminaries for their magnificent achievements.

Thus, inspired by Frank Zappa and our own favourite ditty Paper Puli (Plan B, 2004), were born the PaperPulitzers — our (hopefully) annual awards for journalism about Thermal And A Quarter that bends the word, reinvents the game, changes the rules and does just about everything but get the story right.

We have had one past winner (in 2007) who, we learned, exited the profession soon afterward.

Here, for your kind consideration, is the long-lost long list of nominations for the 2009 PaperPulitzers:

001

The three musicians have been singing everything from Carnatic to jazz and funk since they formed Thermal and a Quarter in 1996.
Poll Song – Pallavi Jassi/ The Indian Express – March 27, 2009

We sang Carnatic? How flattering! If only Sri Muthuswami Dikshitar had lived to read this.

002

“As part of the festival, we will have musician Jeff Peters performing our songs with us,” reveals Bruce Lee Mani of Thermal and a Quarter.

-  Jazz Got to Be there – Kavya Christopher/ DNA-Daily News & Analysis, February 28, 2009
Archived at TopNews.in

Sure, Jeff Peters mixed This Is It, but what a pleasure it would have been to have him perform with us, and that too at Java Jazz. And what a gem to stuff into Bruce Lee Mani’s shocked mouth!

003

- Photo caption – Play That Funky Music, Bangalore Times, The Times of India, Bangalore – April 16, 2009

Yeah, we know Rzhude is hard to spell but this is sheer genius

004

Not exactly a TAAQ mention, but this was for a Dire Straits Tribute gig where Bruce and Rajeev played. It was a Rolling Stone magazine event at the Hard Rock Cafe, Bangalore. But hey, those are very complicated instructions for our friends at the fourth estate. So they simplified them, and this is what we got.

The Hindu Metro Plus, Bangalore, Dec 3, 2009

The Dire Straits Tribute Band will pay a tribute to the Rolling Stones tonight.

- The Hindu Metro Plus, Bangalore, Dec 3, 2009:

DNA – Life after 5 pm – Listings – Dec 3, 2009

Legends come alive with India’s finest musicians, featuring the Dire Straits Tribute Band. Like all other Thursday shows at the Hard Rock Cafe, the show promises to rock. If you are a fan of Rolling Stones, there’s no escaping this.

- DNA Bangalore, December 3, 2009

Here’s the best part – nominations are still open. Head over to the contact form on this blog or email us at taaqmail[at]yahoo[dot]com with the subject ‘PaperPulitzer 2009‘. Entries must be in the following format, with screenshots/ scans if applicable.

Name of the publication/ TV channel/ website/ other media

Name of the journalist/ anchor/ other

Date of publication/ release/ broadcast

Screenshot/ web address (URL)/ other sample

Excerpt of the inaccuracy/ howler

We shall accept nominations till December 26, 2009. After that, we shall throw the short-list open to voting until January 10, 2010. The PaperPulitzers will be announced on January 15, 2010.

The post PaperPulitzers 2009 – The nominees are… appeared first on Thermal and a Quarter (TAAQ).

At least, they got Vinay right!

The post Page Three Paper Puli appeared first on Thermal and a Quarter (TAAQ).

Draw the line, spread the love

It started some time this afternoon. A little yellow smiley face started making an appearance on Facebook. Along with that, a status message: ‘One small love is all it takes… in a tired world’.

The last time we checked, the love virus had spread like a happy yellow rash.

If you know anybody on Facebook who has changed his/ her profile picture to the One Small Love smiley face, get the the image from them and change your profile pic, too. And don’t forget to change your status message to: ‘One Small Love is all it takes… in a tired world’.

Spread the love. Draw the line. Watch this space.

The post On Facebook, One Small Love Epidemic appeared first on Thermal and a Quarter (TAAQ).

It’s happened before. Someone brandishing the credentials of the forty-fourth estate (when did it stop at four?) trings Thermal And A Quarter, or drops by our dotcom property, and says: “I am doing a story…”

Lovely, what an opportunity for TAAQ to be splashed in print, we think. And we preen ourselves, turn our bullet-point thoughts over in our heads, evoke a cool drawl and give them what we think is the interview of the century, one that will make Rolling Stone turn into a pumpkin.

Yeah?

You wish.

SNAFU.

Sometimes it’s us. Usually, it’s them.

By them, we mean an editor who has no more column-centimetres to spare. Or a layout artist who lops off three juicy quotes in favour of one hedonistic picture.

But mostly, it’s the Paper Puli. Now in its deadliest avatar – the armchair journalist. The one who won’t quote quotes. The one who won’t stop to check facts, the one who won’t hesitate to bend the world. For whom a matter of fact isn’t.

And so, with all due respect, this month’s Paper Pulitzer goes to Business Today‘s Senior Correspondent Shivangi Misra for blasting us ten years into the past. According to the article Bands on the run (Feb. 11, 2007), Thermal And A Quarter has four members: ‘Bruce Lee Mani (guitars), Rajiv Rajagopal (drums), Sunil Chandy (bass), and Ajit Abraham (vocals).’

That was in 1996. Things have changed, Shivangi.

Bruce and I, who have both worked as journalists in our time, will tell you there’s something in our book known as fact-checking. It’s a bit of an old-school trait, but it holds even in these digital times.

The winner of the Paper Pulitzer is welcome to enjoy a dish of Paper Pulissery in my humble kitchen.

The post The Paper Pulitzer goes to… appeared first on Thermal and a Quarter (TAAQ).